Nao Yoshioka – self promo page

After 13 years, 11 countries, and a career-defining world tour, New York-based neo soul / r&b singer Nao Yoshioka delivers her most personal and expansive statement yet with her new album self, a bold new chapter of self-discovery featuring an impressive list of international collaborators.

 

ARTIST: Nao Yoshioka

TITLE: self

LABEL: SWEET SOUL MUSIC

RELEASE DATE: July 17th 2026

FORMAT: LP / CD / Digital

CATALOG N.: MCP0038

GENRE: neo soul / r&b

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Following the success of her 2024 album Flow and a world tour spanning eleven countries, internationally acclaimed soul artist Nao Yoshioka found herself at an unexpected crossroads. The dream had come true—but instead of feeling finished, she felt as though she was beginning again. Written in the aftermath of that realization, self is a powerful album exploring identity, acceptance, and the courage to embrace every part of who we are. Inspired by Carl Jung’s concept of the “shadow”, the record reflects Yoshioka’s journey from striving for an idealized version of herself to accepting the parts she once tried to hide.

The album, her most ambitious and emotionally revealing work to date, unfolds as a meditation on transformation. It begins with the forward-looking optimism of “Changes”, where pain and possibility coexist. This deepens through “You Got to Feel It,” a groove-driven r&b track blending African rhythms by Bnnyhunna and saxophone by Braxton Cook that explores the reality of love and connection. By the time Yoshioka reaches “Safe Place”, an anthem about becoming your own safe place, created alongside Peter CottonTale and Jamila Woods, self-acceptance has become less an idea than a hard-won practice.

Throughout self, Yoshioka resists easy resolutions. The tender “Pieces of Me” featuring Vietnamese rising star Mỹ Anh, finds beauty in imperfection, while the lush, nature-inspired “In the Rain feat. MXXWLL” breathes with a sense of stillness rarely heard in contemporary r&b. On “All I Wish”, one of the album’s most intimate moments built around a delicate acoustic guitar, Yoshioka turns self-love into something tangible rather than aspirational.

The record’s centerpiece arrives with “Inner Universe feat. Misha & Chien Chien Lu” a dreamy, vibraphone-colored exploration of limitless inner possibility before giving way to “Shadow”, a remarkable duet with Bilal over a psychedelic mid-tempo soundscape. More than a collaboration, it feels like a conversation between opposing selves—light and darkness, certainty and doubt—capturing the album’s central thesis that wholeness comes not from overcoming our shadows but from integrating them.

From there, self becomes increasingly expansive. The funk-infused “Heartbeat feat. Khari Mateen” channels pure musical surrender, while “Side of You” features layered, expressive vocal arrangements and offers a surprisingly mature reflection on love and parting. The soaring “Yet to Come feat. Keyon Harrold” is a soulful, high-energy track rooted in the belief that the best moments are still ahead. Closing track “Shelter feat. Sam Wills” brings the journey to a gentle conclusion, offering comfort without certainty and peace without finality.

The album’s impressive list of collaborators—Bilal, Jamila Woods, Peter CottonTale, Devin Morrison, MXXWLL, Khari Mateen, Keyon Harrold, Sam Wills, Bnnyhunna, Braxton Cook, Mỹ Anh, Misha, and Chien Chien Lu—reflects the international community Yoshioka cultivated while touring the world. Artists from Philadelphia, Chicago, Amsterdam, Hanoi, Helsinki, and Taipei contribute to a record that embodies the borderless spirit of SWEET SOUL RECORDS’ World Soul Collective vision.

Yet despite its global scope, self never loses its center. Whether drawing from neo-soul, spiritual jazz, indie r&b, soulful electronica, Afrobeats, or contemporary groove music, every path leads back to Yoshioka’s voice and the questions she asks of herself. If Flow was about letting go, self is about going deeper.. Thirteen years into her career, Nao Yoshioka sounds less interested in reinvention than revelation—and in that honesty, she has made her most compelling album yet.